Death Note II: The Last Name - Movie

Earlier I posted about the first live action Death Note film and so I decided to watch the second film to see how the story would end. I am glad I did, as the second film is a flawless continuation of the first. All of the same characters and actors return, with some new ones as well.

As the first film ends, the second picks up literally with the final scenes being reshown. A character from the first film, Misa, is saved by someone using similar means to Kira and she finds a second notebook that gives her the same abilities as Kira. She soon shows that she is willing to go even farther than Kira ever did by killing anyone who dares to criticize Kira. soon the police and L are searching for the first and now this new second Kira. From here the movie goes into complex and deep story that involves L and Light engaged in an even higher stakes game of cat and mouse. Misa makes things very difficult for the police and things get even further difficult when a third Kira emerges who is more dangerous than Light and Misa.

It is difficult to fully review this without spoiling it, so I will refrain from revealing too much. The acting is again very well done and the effects are good for the film. There are times when Rem, the second shinigami, appears very cartoonish, but I felt like it was tougher maybe to capture his essence easily, as his color is stark white and thus details were easier to see. The pacing was good and the characters were enjoyable, even when they are at their most evil. Where the first film made you question who you should cheer for, this one makes it almost patently clear from the start. And yes there are twists upon twists in this one so the ending is not nearly as predictable as you might suspect.

All in all a great follow-up to first film and a great way to close out the Death Note series.

What? There's a third one? Ohhhhhh........well....heh heh....guess I'm off to see more people getting killed by the mighty pen. Until next time, mata ne!

Death Note (Part One) - Movie

So, after a brief absence I decided to sit down and watch a movie I'd been interested in for a while. That movie was Death Note, based on the manga and anime of the same title.

The premise is simple enough. A young college student named Light Yagami, who's father is a police detective, has dreams of joining the police force after college. A dedicated student and believer in the law, he comes to realization after some research that many of the criminals in society go free from prison or are not sentenced at all. This frustrates him and causes him to become disillusioned with the idea of the justice system. One night after a tense confrontation with a freed killer, Light finds a mysterious notebook in the streets simply titled "Death Note." Inside the notebook are a few rules stating that if someone's name is written in the notebook they will die within a few minutes. The rules also specify other things that are discovered through the course of the film. Of course Light finds this to be impossible, until he actually tries it with a freed criminal who is on the news. When the criminal dies suddenly of a heart attack, Light begins to experiment with other criminals (as he has access via hacking to the police database). Criminals begin dying by the dozens throughout the world and people begin to notice. Soon the killer is dubbed "Kira" (killer in transliteration) and people either love him or hate him depending on how they feel about his actions. Soon a police investigation is launched including international police and FBI support to catch the famous Kira.

As Light becomes more adept at using the notebook he meets the shinigami (reaper spirit) attached the book and while Light can see him, no one else can. The reaper serves only as a sort of counsel to Light and takes no side in the story. No one, not even his girlfriend Shiori, is aware that Light and Kira are one and the same. As the film moves forward a mysterious person named "L" joins the police investigation and speaks only through a computer terminal to the police in order to protect his identity from Kira. Soon it becomes a game of cat and mouse between L and Kira and the public soon becomes frightened of Kira. Kira begins to experiment more with the notebook and finds that he can write down what will happen with someone he names in the book and that it will happen. An example of this is when he directs inmates in a prison to cut themselves and write symbols on the wall before killing themselves, or a man being hit by a car. This places Kira into a position where he is more like a god than a man and the power soon begins to consume his personality.

I won't spoil the film but it is suspenseful, dark, and a lot of fun. The concept is interesting because the viewer is not sure who to root for after a while. In the beginning it seems easy to root for Light, but as he begins to take the lives of even good people who get in his way, that support ends rather quickly. But then, the character of "L" is suspicious enough to keep the reader in a sort of median position between the two. The film is well paced and I was on the edge of my seat at points when it felt as though the noose was about to snare Light. The effects are not the best but then, it's a TV movie and rendering a death reaper on the screen for a majority of the film might be expensive, so its forgivable. I have seen worse effects in bigger budget movies that make the theater so they aren't so bad. At least the reaper looks exactly like he does in the manga so that's cool. The acting is good and the guy playing Light did an amazing job, as did the guy playing "L."

Overall a great movie worth a watch because the interaction between the police in their chase and Light is fascinating to watch with a brilliant premise as the backdrop. Take the time, check it out and see a really cool original concept brought to the screen. Now.....on to part two. Until next time, mata ne!

Maou (魔王) - Drama Review

Before I had started to watch this series, I was a bit skeptical. Here was a show that featured two members of Japanese pop groups in the lead roles. Would they be able to pull off a solid show? And a dramatic suspense show at that? Well, I found that I didn't need to be skeptical at all. The show turned out to be quite well done and the characters were great. But before I explain what I liked, here's a brief overview.

Maou is, put simply, a revenge drama. It focuses on the two primary characters of Naurse Ryou, played by Ohno Satoshi, and Serizawa Naoto played by Ikuta Toma. Naruse is a brilliant and accomplished lawyer, who is well known for his generosity and kindness and being able to win cases. Serizawa is a police detective who is known for being brash and undisciplined. The two seem unrelated in the beginning but that soon changes. It seems that Naruse has a well-planned revenge scheme that he hatches against Serizawa and those around him, including friends and family. The reason for revenge, as shown later in the story, is that Serizawa and his friends used to bully kids at their middle school, and one of the kids that is bullied is eventually killed, stabbed by Serizawa on accident. Serizawa, who's family is wealthy and powerful, gets him off for the crime and he goes on to live his life and become a police officer. Naruse is the older brother of the boy that died in the stabbing. His mother also died of a heart attack following the younger brother's death and thus, Naruse has lived alone and bitter for the following decade. So the story is of Naruse's revenge plan against Serizawa and those around him.

How is this plan executed? It is a detailed and intricate system whereby Serizawa receives a red envelope containing some clue and a tarot card that holds some significance. Soon afterward the target would receive a similar envelope and the same tarot card. Finally, a third individual only slightly related to Serizawa or the target would receive the same tarot card and another item, usually the means to kill the target. What would happen is that the third individual would be the trigger, becoming angry at the target for some reason, pushed by the envelope's contents and then go to confront the target, who would then also become angry over the confrontation. The results would then lead to the target's death and the killer, who would have killed the target accidentally would then be represented by Naruse and released due to it being self defense. Naruse does it this way to re-enact the setting of Serizawa'a release after killing his brother before. Only the people dying are Serizawa'a friends. It seems complicated but is shown in the drama very well and there is no confusion as it is explained. As the people begin to be murdered, Serizawa and his fellow detectives move trying to identify the true killer, never sensing it could be the angelic Naruse.

Other issues emerge as the story develops: family problems within the Serizawa household; cracks in friendships; adultery between coworkers; and the truth behind the killing. I won't spoil anything but things are definitely not as clear as they appear initially. And in the midst of all of this is a young woman named Shiori, who has the ability to touch an object and see brief images of events that occurred around it in the past. She assists the police in efforts to help them in their investigation but she soon falls for Naruse, complicating matters further. As the story moves forward both Serizawa and Naruse begin to see their pasts in real terms and develop as characters. Their fates and their paths are destined to cross and it is well worth the journey to follow them on this path. Again, I won't spoil the ending or anything major...just suffice to say that the story is well told and worth the watch.

The acting is well done in this series, and by far Ohno Satoshi steals the show as the tragic and yet brilliant villain Naruse. His cold dead stare will haunt you after a few episodes and become synonymous with the deaths occurring in the story. He is one of the best TV villains I have seen and has a definitive human side that will make you root for him when you know you shouldn't be. Toma, as Serizawa, is also quite good as the emotionally tortured detective with a haunted past. As his friends soon begin to fall around him it is quite clear he is ensnared in a deadly game of which he is an unwilling participant, and the drama that emerges out of the cat and mouse game between Serizawa and Naruse is fun to watch. The supporting cast is excellent, especially Serizawa'a father and the other detectives. The story is haunting, suspenseful, and will challenge you. It is Shakespearian in tone and epic in scope. Take the time and watch all eleven episodes. It is well worth it. Until next time, mata ne!

Great Teacher Onizuka (GTO) - Drama Review

Looking at the drama Great Teacher Onizuka (GTO), it is tough to put aside its history. It was a manga in its original form, and then an anime series, and has also been produced as a live movie. So, of course, the show has a long pedigree. On top of that is the enormous hype that goes along with it. Just type into google the phrase "best Japanese dramas" and GTO appears at the top or near the top of every list. And this is a show that ran from July to September of 1998, so it has a few years under its belt. That is a lot of pressure to bear for the show as I started to watch it. I asked myself, "could it really be that good?" The answer is, yes it can. The show is excellent. But before I pour on the accolades, let me go into a brief description of what the show entails.

The show is essentially about a man named Eikichi Onizuka, played to perfection by Sorimachi Takashi, who used to be the leader of a biker gang. Onizuka, now working odd jobs, wishes to be a teacher. when presented with the opportunity, he leaps at it. Though completely unqualified, through some crazy circumstances, he is offered the job of homeroom teacher in a private school. The problem is, his students in the class are trouble to each other and to him. We have all heard the plot before, where the good natured teacher takes on a class of bad kids and transforms them through the power of symbiosis or whatever you want to call it. And it would be easy to label this in that category as well. However, the key difference here is, the teacher is sort of a troublemaker himself. Sort of? Maybe I am being too soft. Here is a man that unabashedly watches pornography with women around, dresses unlike a teacher would, is willing to strike another student if necessary, and teachers for that matter, is always looking to score money, and is not shy about eyeing any woman that passes his way. His coworkers loathe him, and his students scheme to get him to resign. His only supporters are the school director who feels his brand of teaching might spark some energy into the school, and his friend who works for the police force.

Through the course of the 12 episode series, he works to show his students that not only is he a good teacher, but that they are not quite as bad as they might believe they are. An example of his methods include having a couple of class con artists subjected to harassment from a large group of motorcycle gang members one night; another method involved bullying a student in class who was doing the same to another student, to show why it was pointless. His methods come across as extreme and yet refreshing as well. He deals with things in a very simplistic manner that feels more akin to "an eye for an eye" than mere revenge. And the students have more than deserved their punishments by the time Onizuka exacts them. Once the students learn their lesson they typically side with Onizuka and realize he isn't much different from them at all. Of course the other teachers and supervisors despise Onizuka and his methods and want him gone.They constantly work to undermine him and make his job all the more difficult. The only two coworker allies he gains through the course of the show are Azusa Fuyutsuki, the younger female teacher at the school, and the classics teacher, Fujitomi Makoto, both of whom see the good that Onizuka is doing for his students.

As the show progresses, the troubles become worse and begin to trickle out of the school and into the the media, the Ministry of Education, and as the problems grow, so does the tension and dramatic air of the show. Bear in mind that this show is a drama and a comedy. While there are funny points, especially involving Onizuka, there are quite serious moments as well. Some of the issues tackled in the show involve rape, severe bullying, the death of a classmate, prostitution, extortion, and even simpler ones such as exam pressure. Those are merely the problems the students face. In regard to the adult coworkers the problems are more political, financial, and involve specific such as stalking, marriage issues, obsession, bullying at work, and accepting kickbacks at work. That only scratches the surface of the range of subjects covered in this show, but it illustrates that this is not simply a romantic comedy or other typical drama. I found myself looking at the problems faced by the students in relation to the problems exhibited by the adults within the school and it made me reflect on the environment we provide for our kids in the world and how we raise them. And maybe that was the intent.

Notable performances from Sorimachi Takeshi (as Onizuka), Matsushima Nanako (as Fuyutsuki), Nakao Akira (as head teacher Uchiyamada Hiroshi), and of course the students, too numerous to name. Do yourself a favor and go watch this show. It's only 12 episodes long and you will not regret it. It's fun, dramatic, and has a great message about being passionate about living. What are you waiting for? Check out my links on the front page and find this show, now! Until next time, mata ne!

Akira - A Retrospective (Film)

In relation to the manga series I spent the last month or so reviewing I thought it would be appropriate to also review the film, as that is the medium by which most people are aware of the story of Akira. And I am glad that I watched it so soon after reading the series at is provides excellent contrast points by which to discuss. With that is mind, I will first discuss what I enjoy about the movie.

First, the animation is amazing, and for a movie more than two decades old it doesn't show it. The action is fluid and the coloring is fantastic. The mood is established early on with long periods of silence and an occasional drum beat is put forth to add a level of drama that is missing from the manga. The battle scenes also play out well, showing the horrors of battle and the true violence that encompasses them. It was also nice to see the characters living and breathing to a certain extent (at least as well as can be done in a cartoon). However, with that, much else is left to criticism.

I was not at all pleased with the dubbing work in English and would implore anyone watching this to seek out and watch the Japanese version with English subtitles. The English voice acting is pretty weak and some voices don't fit. In regard to the colors, while I do admire them, it felt wrong to a point. The black and white of the manga felt gritty and added to the story where here the colors sometimes overwhelm the eyes, especially when there are a lot of computers and wires. That is a minor gripe, however. My major ones involve the story itself. This movie almost felt like some bizarro version of Akira. Like, if someone threw all of the manga volumes into a blender and then told the story with the results. The introduction of Kaori's character in the film felt like a slap in the face. It lacked the heart that the manga had, as she just appears to be some girlfriend of Tetsuo early on, whereas in the manga, she shows up seeking food from Akira later in the series. Another serious issue is the death of Yamagata. In the manga this was a major turning point in the series, when Kaneda and Tetsuo truly break in their frienship and was committed with hundreds of witnesses and was a major scene. In the movie, it appears in the bar with just Kaisuke, Tetsuo and Yamagata present. It sort of cheapens the impact of his death. Even Kaneda's reaction feels canned in the film afterward.

Other issues that irritated me from the film were things like Nezu. In the manga we understand his role and why he's a slimy bastard, but in the film we only really get a small glimpse and it makes little sense. The Espers take too much screen time and have far too much dialogue. They become exposition central depositories and begin to irritate the viewer rather than endearing them as in the manga. The female Esper in particular becomes akin to a narrator, which is very annoying. The Colonel is off as well. In the manga this is a man in complete control and understands the Akira project quite well. However, in the film he comes across as ignorant and devoid of any knowledge of the Akira project. He comes across as a military guy completely, with no other skills. It just feels like a mischaracterization. And Kaneda...in the manga we grow to like and cheer for Kaneda over the course of the series. But here, it feels forced and he's really no different from the beginning. As I said, everything feels like a twisted version of the greatness that was in the manga. Then there are other things that are unforgivable to me. One is the lack of Akira. In the manga he is a real boy, alive and well. In the anime he is dead, nothing but a collection of organs in jars. Why? What was the point? And why does everyone seem to know about him if the project is so top secret? Lady Miyako appears in the film for all of about ten seconds and is killed by a falling car. That makes no sense as she was integral to the manga. It would be like taking Lois Lane out of the Superman story. The end sequence feels extremely rushed. By spending most of the movie focusing on the social unrest and protests, the movie then has to make up for it by tripping over itself in the end. The battle between Kaneda and Tetsuo is almost silly and the role of Kei is so minimized that she becomes a throwaway character in the end. The same can be said of Kaisuke.

The end sequence with Tetsuo going away is so confusing that it makes the manga read like a Dick and Jane book. It was overly confusing and while the flashbacks of Tetsuo and the Espers worked well, the rest didn't I honestly can say I was not impressed with the film after reading the manga. It is a rushed story and has very little of the heart and drama that the manga had. And I am not being overly critical. Read the manga and then watch the film. It will frustrate you to no end. In fact, this is like....if you had to settle with one Akira story but couldn't get ahold of the manga, then watch the movie. But if you have the choice, then by all means, go with the manga as your only option. It is a much more satisfying experience and you will get more out of these characters. Again, it's just my opinion, but remember, I just read the story and then watched the movie so I have a pretty good idea of what is different. Next week we switch gears and go back to the TV dramas. Until then, have a great 4th of July holiday and mata ne!

Akira - A Retrospective (Part Six)

While it might be early I am going to post this final review while the content is fresh in my mind. Volume six picks up literally seconds after the end of volume five. The various groups going into Akira's base (Olympic Stadium) to confront him and Tetsuo continue onward. From this point, 90% of the story is a very long battle between Tetsuo and Kaneda, Tetsuo and Kei, and the American military and the city of Neo-Tokyo. The Colonel strikes early on, blasting Tetsuo with Sol. While this only serves to enrage Tetsuo, the American military reveals its own weaponized satellite, called Floyd, which it uses to attack the stadium and Tetsuo. After the massive blast, Tetsuo flies to space and seizes control of Floyd, pushing it with his power toward Earth, and smashing it into the American fleet. Meanwhile what American jets are left have already commenced bombing runs into Neo-Tokyo.

The American special forces troops meet their end at the hands of Akira's followers, despite the American bio-weapons taking out a large group of the followers. Kaneda launches a direct frontal attack on Tetsuo, first using a laser weapon and then using just his fists. As Tetsuo is caught off guard it appears early on that Kaneda is winning, however this soon changes as Tetsuo's power levels are spiking throughout the story. His body mutates regularly as his power spikes, making him almost uncontrollable. As Kaneda and Tetsuo battle, Kei appears and begins fighting Tetsuo, working as a vessel for Lady Miyako and the two Espers. Kei takes the initial advantage but once Tetsuo goes to space, the group is separated. Kaneda and Joker come across Akira at one point and take care of him as he keeps muttering things such as "calling me" and others. Akira, determined to go somewhere, walks and Joker and Kaneda follow.

Through the bombing and numerous attacks, Lady Miyako's temple is devastated, leaving only a small handful of people to watch over the Espers and Lady Miyako. Miyako makes it clear to the Espers that her end is coming and that they must watch over Akira. Meanwhile, Tetsuo returns and goes to the chamber which once housed Akira way back in volume two. Akira, Kaneda, and Joker run into Chiyoko and Ryu and the five of them make their way to the chamber as well. The final battle with Tetsuo begins as Kaneda, Chiyoko, and Joker begin firing into the massive body of Tetsuo. Kei is also present but is not faring well. Kaneda is then absorbed into Tetsuo's body and we do not see him again for some time. Akira begins reacting violently in pain as Tetsuo is injured and Ryu takes Akira away from the battle. However, as the two are ascending, Akira appears to be unleashing some outburst of energy when Ryu, out of fear, fires his gun into Akira. Afterward a large metal piece appears to fall onto Ryu, killing him instantly.

Tetsuo escapes the chamber in his bloated mutated form and goes to the temple to attack Mikayo and the Espers. Miyako explains that he is drawn to power sources and as Akira was shot, her and the Espers are the remaining source he is attracted to. Miyako tells the Espers to go to Akira while there is still time and she faces off against Tetsuo. She fends him off for some time but is eventually killed in the process. The two Espers teleport to Akira and find him dying on the elevator platform where Ryu shot him. He seems coherent and when he sees the two Espers, he also begins to see the spirits of long dead children who also were Espers. These spirits are smiling and he is told everyone is waiting for him to join them. Akira seems at last at peace and smiles. The Espers ask him if he can use his power one last time. He says yes.

When Miyako and Tetsuo were battling, Kei was teleported to space where she takes mental control of Sol. She then fires it, a direct blast into Tetsuo. Tetsuo screams in pain and begins to erupt in a blast reminiscent of Akira's two previous blasts. As the blast begins to erupt, a second similar one erupts in the air above Neo-Tokyo, where Akira and the Esper spirits were hovering. This blast appears to pull the energy away from Tetsuo and soon the two merge in the air. At this point we move to Kaneda, who is moving from Tetsuo to the blast put forth by Akira. He begins to experience Tetsuo's perspective, which includes flashbacks from his time in the series and also his first time meeting Kaneda. Kaneda sees just how fragile and sad Tetsuo was in life and feels for his friend. Miyako begins explaining that the Espers and even Tetsuo were just victims of experimentation and that even Akira and Tetsuo were not really evil beings. She explains that evolution is natural and that the Espers were simply the next step (very similar to the X-Men theme). At this point we see the Espers, Akira, and Tetsuo not as villains but as victims of government manipulation. It is one of the more touching points in the series. Kei appears to Kaneda and warns him to get out of the energy transference as fast as he can before he is lost forever. While he struggles, feeling guilty about Tetsuo, he eventually does escape and the blast subsides, leaving the city in ruins, but at peace.

In the final epilogue of the story, a contingent of UN peacekeepers arrives in Neo-Tokyo with tanks, jets, helicopters, and soldiers. They bring relief and medical supplies to the people and begin moving inward to the center of the city. When doing this they are fired upon by Chiyoko and others. Kaneda emerges and orders the soldiers to leave Neo-Tokyo proclaiming that it is a sovereign nation and that it could govern itself, thanking them for the supplies. The soldiers protest but see that the citizens are armed to the teeth. Kaneda proclaims that "Akira lives!" and at this, Kei emerges on a modified motorcycle. As Kei and Kaneda ride off into the distance with others, Kaneda sees the ghostly images of his friend Yamagata (killed in volume one) riding on one side and Tetsuo riding on the other. Kaneda smiles and the riders ride into the rubble which transforms into a glistening cityscape, perhaps giving the reader a glimpse of the bright future of Neo-Tokyo.

Overall this was a satisfying end to the series. It is a bit chaotic at times but then it feels as though the reader is part of the battle. My only complaint comes in the form of the author not giving us much into the past. We get glimpses but it never fully explains things. It would have been nice to get more of Kaneda and Tetsuo's story to understand why their relationship was so complicated. Or more on the Espers and the work the government did on them. But those are minor gripes for a well-done story that was epic and dramatic. It was deep, tragic, and also offered bits of humor to give the characters a human side that is missing from many comics. The overall hero might have been assumed to be Kaneda but in actuality Kei was the true savior in my book. And a comic that creates both strong, believable male and female characters is thumbs up in my book. In the next entry (next week or later this week) I will look at the movie and see where it works and where it doesn't in relation to the manga. Until then, Akira lives!

Akira - A Retrospective (Part Five)

It should come to no surprise that things are winding down rapidly in this story by this point. Tetsuo's massive event at the end of volume four only served to create further panic and destruction to the already ravaged area of Neo-Tokyo. With this panic comes international unrest and the coming of the Americans. With scores of aircraft carriers, helicopters, jets, and soldiers poised off the coast of Japan, it is made clear rather quickly that they are there with one purpose: destroy Akira. The problem is, the military seems oblivious of the presence of Tetsuo. The scientists collected aboard the American fleet are fully aware of Tetsuo and while they continue to try and convince the commander of the forces there of his danger, the military continues to ignore Tetsuo's existence. The military, in fact, opts to ignore the reports the scientists submit and send in a small contingent of special forces troops to kill Akira, much to the disappointment of the scientists.

Meanwhile, the Colonel brings the last Esper to Lady Miyako's temple, although both he and the girl are heavily wounded, resulting from the attack in the previous volume. The Colonel and Kei meet and discuss the condition of Chiyoko, still wounded back at the ruins of the military headquarters. Kei wants to go back with the Colonel to retrieve Chiyoko and bring her back to the temple, to which the Colonel agrees. The two journey through the Tokyo wastes and the tension runs high as they are attacked by roving groups of Akira worshippers. There are points where it truly seems as though they may not make it to the headquarters but eventually they do. This does not deter the attackers, however, as they launch their last stand attack inside the headquarters. All are killed through the course of battle, but Kei is wounded and remains unconscious for some time afterward. The Colonel converts a caretaker drone to transport Kei and Chiyoko back to the temple. The transport is driven by Kaneda and his friend Kaisuke, who followed Kei and the Colonel earlier. The Colonel remains behind at the headquarters, vowing to destroy Tetsuo.

Speaking of Kaneda, he is caught up quickly with the events he missed while gone and Kaisuke introduces him to an old enemy, Joker, who once led a rival biker gang called the clowns. Joker is now working with Kaisuke to restore bikes and stockpile weapons to someday use against Tetsuo. Kaneda finds new clothing and a new bike and he and Kaisuke help get Kei and Chiyoko back to Lady Miyako. It is hinted at strongly throughout this volume that Kaneda and Kei are developing feelings of love between them. At one point, late in the story, Kei agrees to work with the Espers and Lady Miyako and face Tetsuo alone, as it is revealed she has a form of their power and can function as a medium to channel their collective powers. When she agrees to this she asks Kaneda to stay with her overnight in the temple. Tetsuo is unsure how to respond as he clearly wants to. Once he finds out she will face Tetsuo he flies into a rage and vows to protect her and states that he will face Tetsuo alone and kill him rather than risk Kei's life. He kisses her and says he will stay with her another time, which is a very touching moment in the story and it feels genuine in the face of all of the dangers emerging. Kaneda, Joker, and Kaisuke, along with others, round up bikes, weapons, and other gear and charge toward Akira's base to strike at Tetsuo. Kei asks Chiyoko to follow and help Kaneda.

At the same time, the American special forces moves into the area hoping to disperse biological weapons to kill Akira and his followers. It is hinted that if the bio-weapons fail, then the American fleet is armed with numerous nuclear missiles that can be launched. The followers of Akira get wind of the incoming American forces and arm themselves, preparing for all-out war.

Tetsuo and Akira are interesting as well. Akira mostly sleeps throughout this volume, as children often will. Tetsuo, it is explained by Lady Miyako, is undergoing a period of evolution wherein the power within him is growing stronger and more independent, desiring to break free of the body it is imprisoned in. She explains that if that occurred before Tetsuo was stopped, Tetsuo could become like Akira; that is, a being composed entirely of the power, and retaining no recognizable semblance of the true personality of the person. Throughout the volume Tetsuo appears at peace, not the raving, pill-popping madman he was in the previous volumes. He has kicked the pill habit and is clean with energy. This makes him all the more dangerous as he and Akira "play" as kids do, though within the center of the earth, creating massive earthquakes. Tetsuo also teleports to the moon and ravages it, blowing out at least a third of it in a display of raw power. Obviously this creates weather problems and tidal chaos in the oceans, further prompting the American military to move froward with their plans of striking at Akira. Tetsuo begins to unravel and mutate as the story progresses however, as his power is growing exponentially. He teleports to the American fleet and destroys a large portion of it as Kei appears as well. The two engage in battle and Kei flees after damaging Tetsuo. She acknowledges her failure to stop him but understands she must face him again.

With that, volume five comes to a close. The action is slower than in the previous two volumes, but it is a refreshing pace. Characters are fleshed out and relationships are explored that make the readers care more about the story in the long run. The collapse of Akira's followers is realistic and the sense of dread near the end as the various groups converge on Akira's base is the best way to foreshadow the climax in the upcoming volume. And the reader can see that not everyone will survive; it is obvious that some will not make it. And with that, the story is nearly complete. Following volume six I will post one final entry looking at the film and some of the differences. Until next week, mata ne!